The Last Namsara by Kristen Ciccarelli
Genre: Young Adult, Fantasy
Publishing Info: May 2018 by Gollancz (first published 2017)
Pages: 432
Star Rating: 3.5/5
Back Cover Summary:
In the beginning, there was the Namsara: the child of sky and spirit, who carried love and laughter wherever he went. But where there is light, there must be darkness—and so there was also the Iskari. The child of blood and moonlight. The destroyer. The death-bringer.
These are the legends that Asha, daughter of the king of Firgaard, has grown up learning in hushed whispers, drawn to the forbidden figures of the past. But it isn’t until she becomes the fiercest, most feared dragon slayer in the land that she takes on the role of the next Iskari—a lonely destiny that leaves her feeling more like a weapon than a girl.
Asha conquers each dragon and brings its head to the king, but no kill can free her from the shackles that await at home: her betrothal to the cruel commandant, a man who holds the truth about her nature in his palm. When she’s offered the chance to gain her freedom in exchange for the life of the most powerful dragon in Firgaard, she finds that there may be more truth to the ancient stories than she ever could have expected. With the help of a secret friend—a slave boy from her betrothed’s household—Asha must shed the layers of her Iskari bondage and open her heart to love, light, and a truth that has been kept from her.
Dragons are what attracted me to this book. I’ve loved them for as long as I can remember. The concept of dragons being attracted to stories is an interesting one, and I liked that this provided a different angle to the well-trodden road of dragon rider novels. Riding dragons wasn’t the focus of the book for the majority, as dragons have in fact been hunted for some time.
Kristen Ciccarelli doesn’t use much description in her prose, yet I was still able to visualise every scene. This also meant it wasn’t bogged down in in-depth description like many fantasy books get lost in, and it kept the book fairly fast paced. I would have perhaps liked a bit more sensory description, to make the settings come alive more and create more atmosphere in some of the tense scenes.
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