Crank by Ellen Hopkins
Genre: Young Adult, Contemporary, Poetry
Publishing Info: 2010 by Margaret McElderry Books (first published 2004)
Pages: 537
Star Rating: 4/5
Back Cover Summary:
Kristina is the perfect daughter: gifted high school junior, quiet, never any trouble. Then she meets the monster: crank. And what begins as a wild ride turns into a struggle for her mind, her soul–her life.
Ellen Hopkins, whom mediabistro.com has called “the bestselling living poet in the country,” exploded onto the young adult scene with her first novel, Crank, which has become a national bestseller. School Library Journal acclaims Crank as “a stunning portrayal of a teen’s loss of direction and realistically uncertain future.” Publishers Weekly raves, “[Hopkins] creates a world nearly as consuming and disturbing as the titular drug.”
Crank is a transfixing look into the tortured lives of addicts and the people who love them.
Crank is the second book by Ellen Hopkins I have read and, like Impulse, takes the form of the novel in verse, or verse novel. I was pleasantly surprised to have enjoyed the verse novel form when I read Impulse, and was keen to read more by Ellen Hopkins. Once again Hopkins tackles a serious issue head on. While Impulse looked at mental health, Crank follows its protagonist through drug addiction.
I don’t know much about drug addiction and have never read a book about it, so I found Hopkins’s blatant and open address of the issue difficult to read but enlightening. The verse novel form particularly suits the subject matter in this case, and Hopkins uses the verse brilliantly, fully capitalising on its potential. The poems are written in erratic stanzas that range across the page, with some of the verse in ‘normal’ stanzas and some spread across the page, others formed in shapes, and many other myriad and interesting styles. This reflects the erratic Kristina and the highs and lows of her addiction.
The other characters were fairly typical and flat as they weren’t given the time to become well rounded characters. However, I didn’t feel this was as big an issue as it would be in other books since the focus of the story is very much on Kristina’s internal conflict with her addiction. The plot was also fairly predictable in places, with some eye rolling on my part at some points which appeared to be presented as ‘twists’ but which weren’t all that surprising. Yet, as with my previous point, it didn’t really matter that much to me because it’s more of a character and emotion driven story that a plot focused novel.
The book was well paced and being told in verse didn’t hinder it carrying a strong narrative. However, the ending felt quite rushed compared. The last several poems summarised the end of the story too much, meaning it lost the emotional impact it had carried in the rest of the book.
The Last Book On The Left 